January 22

It's January 22nd

On this day in 1890 – The United Mine Workers of America is founded in Columbus, Ohio.


1947 – KTLA, the first commercial television station west of the Mississippi River, begins operation in Hollywood.

1968 – Apollo 5 lifts off carrying the first Lunar module into space.
1973 – The crew of Apollo 17 addresses a joint session of Congress after the completion of the final Apollo Moon landing mission.
1992 – The space shuttle Discovery launches on STS-42 carrying Dr. Roberta Bondar, who becomes the first Canadian woman and the first neurologist in space.
1998 – Space shuttle Endeavour launches on STS-89 to dock with the Russian space station Mir.


Balthazar Getty
as Bozo in "Feast"

Christopher Masterson
as Paul in "Dark Mind" aka "Intellectual Property"


Olivia d'Abo
as Robin in "Flying"
as Mara Simmons in "Beyond the Stars"

The Canadian website Film Media was very critical of the film, stating: "Verbose and sclerotic plot. Ungainly direction. Dull acting."

Scle-rot-ic : adjective
1. (Medicine) of or having sclerosis.
2. becoming rigid and unresponsive; losing the ability to adapt.

This Guy:

Diane Lane
as Anne Lockwood in "Paris Can Wait"
as Liza in "National Lampoon's Movie Madness"

National Lampoon's Movie Madness was universally panned by critics and audiences. On the review aggregator website Rotten Tomatoes, 0% of 5 critics' reviews are positive, with an average rating of 2.5/10.
Leonard Maltin gave the film a "bomb" rating, describing it as an "incredibly idiotic parody", describing the segments as "each one worse than the next [sic]."
Producer Matty Simmons later said, "Scenes between Peter and Diane in Movie Madness are possibly worth the price of admission but the rest of the movie didn't come off as well."


DJ Jazzy Jeff


Steve Adler


Michael Hutchence



Linda Blair
as Marti Gaines in "Hell Night"

Hell Night has attained a cult following in the years since its release. Critic Robin Wood retrospectively praised the film for portraying a strong lead character, Marti, calling her "an active and resourceful heroine capable of doing more than screaming and falling over."
Anton Bitel, writes that the film "reconfigures the slasher as social struggle, with Marti not just its final girl, but also its working-class heroine.
In 2013, Ray Fulk, a Lincoln, Illinois resident, bequeathed his $1 million estate—including a 165-acre farm—to the film's two stars, Peter Barton and Kevin Brophy, of whom he was a fan. In his will, Fulk described Barton and Brophy as friends, though neither of the actors had ever met him.

Steve Riley




John Wesley Shipp
as Bennie Lee Fudge in "Hell and Mr. Fudge"


Jim Jarmusch



Films directed by Jim Jarmusch on Criterion Channel


Steve Perry


___________________________________________________

Malcolm McLaren


Jaan Kaplinski
"The Kaplinski System"


John Hurt
referred to by David Lynch as "simply the greatest actor in the world"
as Tom Rawlings in "The Ghoul"

as Anthony Fielding in "The Shout"


Peter Beard
"Orphaned Cheetah Cubs"


Piper Laurie
as Ruby Claire in "Ruby"


Bill Bixby

in the pilot episode of "The Magician"

Sam Cooke



Charles Lisanby


Diana Douglas
as Evelyn Downs in "Jaws of Satan" aka "King Cobra"


Howard Moss

Dimitris Dragatakis


Ann Sothern as Crystal Carpenter in "The Blue Gardenia"


Robert E. Howard
"The Grisly Horror"
"The Horror from the Mound"
Conan the Cimmerian "The Tower of the Elephant"
LibriVox recording of "Skull-Face" read by Mark Nelson.

Martti Haavio
Professor of folklore and an influential researcher of Finnish mythology.

Conrad Veidt

Antonio Gramsci
Gramsci's prison notebooks


Helen Hoyt

John J. Becker


Francis Picabia
"Hera"

"Dada Movement, Dada, Number 5"


Sergei Eisenstein


D. W. Griffith
"D. W. Griffith: Controversial Pioneer of Cinema"
Sergei Eisenstein expressed his admiration for Griffith as an "outstanding master", but criticized Birth of a Nation, calling it "disgraceful propaganda of racial hatred..."

Lord Byron

Nicolas Lancret
"La Soiree"


Walter Raliegh
"What is Our Life"

WHAT is our life? The play of passion.
Our mirth? The music of division:
Our mothers’ wombs the tiring-houses be,
Where we are dressed for life’s short comedy.
The earth the stage; Heaven the spectator is,
Who sits and views whosoe’er doth act amiss.
The graves which hide us from the scorching sun
Are like drawn curtains when the play is done.
Thus playing post we to our latest rest,
And then we die in earnest, not in jest.

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